FOREVER FEARLESS
EXHIBITION & FUNDRAISER • WASHINGTON, DC • MAY 15 - JUNE 15
FRIDAYS: 2PM - 7PM • SATURDAYS & SUNDAYS 12PM-7PM

WASHINGTON, DC
GRASSROOTS. SCALEABLE. REPEATABLE.
The artists of FOREVER FEARLESS bring vision, craft, and conviction to this exhibition, translating the resilience, defiance, and hope of young girls into sculptural form. Through diverse materials and artistic approaches, each artist offers a unique interpretation of what it means to stand boldly in a world that too often asks girls to shrink.
This cohort represents a spectrum of creative voices—emerging and established, local and national—united by a shared belief: that art is not just a reflection of the world as it is, the collective becomes a tool within individual communities to shape what civic engagement can become.
Their work invites us to see these girls not as symbols, but as individuals with limitless potential. To honor them is to listen, to engage, and to act.
HIBA
ALYAWER
Dream In Color
Mixed Media

Art was my only mental refuge from the earth rattling bombing of Desert Storm when I was a child, waiting out the attacks in a basement with my family. I drew and painted the skies in bullet colors, on whatever scraps of paper and cardboard my father could get me. What I lacked in paint I made up for in vision and feeling love for those around me, fear of the unknown, and the yearn to escape to a more colorful, border-less reality.
My paintings represent human struggle for perfection, but nothing is perfect, as seen in my lines. My artwork shows the paradox between the desire to reach perfection and the unattainable reality. We mold and shape as the occasions change, which gives me infinite possibilities to be expressed on the canvas. For me, it's about shapes, colors, and lines relating to each other. While the lines translate my own personal experiences, color says a lot about my mood as I paint. I'm intrigued by the power of color and give a great deal of thought to what I use in a painting. I always start a painting with red and then let the colors take over.
My hand is guided by colors. My personality is full of color. Scratches and plashes of paint represent life’s unexpected surprises, and most importantly, the different realities that we all face.
Rather than using representation in my works, I take viewers on a journey using vivid, day-glow pigments of bright loud colors. There are no borders, no hiding from bombs, and I have grown free of my fears. I use multiple layers to engage one another with varied textures, and with the rich colors, paintings morph under lighting and viewing angles - as though the pieces are as alive and ever-changing as the emotions and memories that they represent.
LAUREN
BESSETTE
In Our Layers
sand, acrylic, epoxy sculpt, joint compound, canvas

Nature knows no division, only love and symbiosis. History can be found in the earth as colored layers in rocks or rings on a tree. Amongst humans our layers are sewn and stained with painful histories of racism, sexism, greed and inequality, layers that continue to harm the most vulnerable. This sculpture is about acknowledging and learning from those layers as the pathway forward.
KATE
CAMPAGNA 1/2
Inner Stellar
epoxy sculpt, insulation foam, fabric, paint, mirrored tiles

Inspired by the free movement of dance, this disco girl reflects the light of her bright present and future. Complex and made of many delicate parts, she comes together to create a strong individual. You see yourself in her. The sky's the limit.
JULIA
CHON
Taking Root
Mixed media

Hanji is a Korean paper made from the inner bark of mulberry trees. A multipurpose medium, when manipulated, hanji becomes strong and durable, possessing a fabric-like quality. With this material, I created the traditional hanbok that the girl is wearing.
Hanji is of the earth, and like the earth, it needs nurturing, care, and mutual respect to grow and provide for us. For this sculpture, I wanted to honor Mother Nature and the land in which we’ve planted roots. Our lives are forever intertwined with the beating heart of this planet, and it is important to defend our protected lands and preserve our natural world.
ROBIN
DAVISSON
In Her Hands, Love Wins
acrylic, absorbent ground, sculpted cavas, Kamenskaya texture fiber

Vera stands in quiet defiance, her message simple yet unwavering: “Love and truth always win—always.” Subtle tones speak to inner strength, while her hand-scrawled sign evokes conviction, vulnerability, and hope. She reflects the enduring spirit of girls growing up in a world that asks much—and needs even more from them.
HALIM
FLOWERS
Nala
acrylic, pigment stick, spray paint, paper, gel medium

I use my visual language of ‘Optical Improvisation’ in the service of love. With each stroke of color, text and iconography, I intend to remove all social constructs that prevent humanity from seeing with the collective heart beyond the confines of the individual mind. For me, every canvas becomes a weapon of mass construction.
BRANDON
HILL
It Takes A Villiage
Enamel, acrylic

My piece is a stylistic take on Norman Rockwell’s 1964 painting, “The Problem We All Live With”, a powerful commentary on racism and segregation in America.
Similarly, restricted reproductive rights are shaping the coming-of-age story for our next generation. The piece offers the perspective of the hypothetical girl and the observer. Are you helper or a hindrance?
SALLY
MCBRATNEY
Have It All
acrylic, epoxy sculpt, cement, collaged personal papers, gel mediums, UV gloss

“Have It All” represents the weight girls start carrying young, and never really put down. It’s the expectation to be strong but gentle, ambitious but nurturing, independent but never intimidating, and to do it without ever showing the strain. She wears a tapestry of invisible labor. Mental tabs, to-do lists, emotional load, and the quiet costs of womanhood.
We see her strength. Do we see the weight too?
MAGGIE
O'NEILL 1/2
I Pledge Allegiance To Color
acrylic, nova gel, epoxy sculpt, paper

Red and Blue have become symbols of division, polarizing our nation instead of bringing us together. I believe the full spectrum of color has the power to inspire, heal, and unite us in shaping a more empathetic, equitable, and vibrant country.
Color has the power to inspire, heal, and unite us.
CAROLYN
SEWELL
The More You No
chicken wire, masking tape, newspaper, glue, acrylic paint, child’s boots, various trimmings

It has been eight years since I attended the first Women's March in Washington, D.C., in 2017. At that time my daughter was a toddler and I felt an urgent need to advocate for her future. That urgency has only intensified, morphed into absolute fear for all our daughters' futures. You can kNOck us down, tell us we're not eNOugh, but we'll keep getting back up. Because we are NOble and raveNOus, and ready to make some NOise.
TAMMY
BARNES
I Have a Voice | Tengo Una Voz
Mixed media, upcycled clothing, clothing patches, custom jewlery by a female, Salvadoran artist (Mimster) based in Los Angeles, CA, bullhorn, custom DTF art by statue artist, beaded bracelets made by local young girls, artificial hair, hair tie, construction adhesive, screws, latex paint, polyurethane.

“I Have a Voice | Tengo una Voz” is a declaration, not a request. This sculpture of a young Latina girl affirms that even before she is old enough to vote, her voice carries power—rooted in culture, lived experience, and a fearless belief in her right to speak.
The bullhorn at her hip represents readiness: when she chooses to speak, her message will be amplified. Every element on her—beaded bracelets in English and Spanish made by local youth, a sin miedo (‘fearless’) necklace crafted by a Salvadorian, LA-based female artisan, and the 21 Latin American flags stitched onto her jeans—reflects a layered identity shaped by both legacy and present-day realities. Her hand-painted body honors the vibrant textile traditions of Latin America, while her upcycled, custom-designed clothing makes space for young people to see themselves in her image.
She stands at the intersection of heritage and urgency, in the face of still-present inequities, showing that a young advocate carries generations behind her and a future ahead—and that a young person can form a voice that is informed, thoughtful, and entirely their own. This work is not just about finding your voice or being heard—it’s about being believed, supported, impossible to replace, and never silenced.
ANNIE
BRODERICK
HEIRESS II
Cotton fabric (vintage Laura Ashley print), quilt batting, embroidery floss, resin

HEIRESS II was born from the question: What would I tell the young girl I once was? Created with vintage Laura Ashley fabric—like the floral dresses my mother and grandmother once sewed for me—HEIRESS II honors the feminine strength passed down through my maternal lineage. But what I didn’t consciously know until womanhood, and what I’d tell my younger self, as well as girls of current and future generations: Your power lives within you. It is beautiful. It is whole. It belongs to you. And it is yours to claim and express.
KATE
CAMPAGNA 2/2
Strato Stellar
epoxy sculpt, insulation foam, fabric, paint, mirrored tiles

Inspired by the free movement of dance, this disco girl reflects the light of her bright present and future. Complex and made of many delicate parts, she comes together to create a strong individual. You see yourself in her. The sky's the limit.
ROXANNE
CHRISTIE
Choose Love
Ankara West African fabric, acrylic paint

As part of the Forever Fearless movement, my statue represents the transformative power of love. While I may not identify as a political artist, I believe that choosing love is a profound act in today’s world. Dressed in vibrant patterns, my sculpture stands tall, symbolizing hope and resilience. The phrase "Choose Love" serves as a reminder that love can uplift and unite us, creating a nurturing environment for all, especially young girls.
This piece invites viewers to reflect on love’s impact in their lives. Each detail showcases the beauty that arises when we prioritize compassion and understanding. In a time when connection and positivity are vital, may this mannequin inspire you to embrace love as a guiding principle, fostering a brighter future for everyone.
ANN
FARLEY
Girl On Fire
transparent colored cellophane, Kamenskaya texture fiber, cotton, epoxy sculpt, matches, wax, charcoal, acrylic paint

Our world is simultaneously on fire & drowning. Women & girls disproportionately experience the greatest impacts of man-made climate change, yet remain underrepresented in discussions across the globe despite their knowledge of ancestral best practices & deep understanding of community social & economic considerations. In the midst of rising seas and fiery temperatures, girls & women create solutions that are more inclusive, longer-lasting, & sustainable.
ERIN
FRIEDMAN
We're In This Together
Acrylic, raw canvas

This statue reflects the experience of growing up as a girl today, with armor symbolizing the resilience built to navigate societal pressures. The American flag colors represent the influences shaping their identity and sense of belonging in this country.
LEA
CRAIGIE-MARSHALL
200%
24k gold leaf, ceramic mosaic tiles, epoxy sculpt, eggshells, spray paint

As an artist with an invisible disability, a former special needs educator, and the mother of children with Ehlers-Danlos Syndrome, I create work that speaks to resilience, advocacy, and the power of community. “200%” reflects strength in fragility, with golden egg shells marking areas of physical struggle and 24k gold leaf symbolizing perseverance and empathy. Mosaics highlight the beauty in brokenness, while the ADA flag calls attention to the need for visibility, dignity, and government support for people with disabilities. This piece is a celebration of our worth, our fight, and our ability to shine in the face of adversity.
BLU
MURPHY
Protect The Art
fabric, acrylic paint, paper, synthetic hair, leather shoes, plastic barrettes

My artwork not only features my students, but celebrates and honors them as living pieces of art. I hope my work inspires and informs viewers about gun violence and its effect on today's youth. My sculpture speaks to and for the youth and educators, especially those working in Title I schools.
I used rich black paint, hand-painted fabric, and custom fabricated textiles to illustrate the emotional trauma suffered by students who fear or have experienced gun violence.
My students often express feelings of discard by the government, and feel they are deemed invaluable. My art showcases these individuals — their stories and experiences — as the masterpieces they truly are.
MAGGIE
O'NEILL 2/2
My Body Your Choice,
Your Body My Choice
acrylic, nova gel, epoxy sculpt,
and paper from a 1990 Donald Trump Playboy article

How we have forsaken the little girls of this country?
In the first 3 days following the 2024 election of Donald Trump, this phrase was used across social media platforms 53 million times.
TRAP
BOB
Unlimited
acrylic, fabric, nova gel, insulation foam, paper

Often young women early on are put in a box or have expectations placed on them, before they can define themselves. When we expand our vision and remove the limits from our potential, we can do and be anything. There is a powerful hero in each of us, and the more we let that hero shine the more we can create change and inspire the world.

STAY INFORMED
GET EXCLUSIVE EXHIBITION UPDATES, ARTIST OPPORTUNITIES, AND WAYS TO GET INVOLVED!